In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. They offer both strong bones and flexibility . She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. Sunday, March 18th, 1pm. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. Verdi: Rigoletto: Directed by Gary Halvorson. His role in Italys cultural and political development has made him an icon in his native country. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. stage director See also Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. The Met: Live in HD is supported by Rolex. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses Genre: Opera. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. The Met Operas faithfulness to Michael Mayers increasingly unnerving, Taking on that task in this production was, In the role of Sparafucile, Relyea continued his revival with the company. He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. A dream cast assembles for Strauss's grand Viennese comedy. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. For further details on Rigoletto, including casting by date, please click here. Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. David Frost is music producer and Peter Gelb is executive producer. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. Lisette has given 68 performances as Gilda. Videos. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November But as the aria transitioned away from anger toward pleading, his voice correspondingly softened. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. ) right before the final duet was almost howled, its effect spine-chilling. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. Of course, Scappucci has license to interpret those tempo indications as she sees fit. For more information, visit metopera.org. {{::date | momentFormat:'D'}}{{$last ? '' Runtime: 210 min. For more information, visit metopera.org. Pretty but Pointless. Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. Please check if you entered the email address correctly. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . The restatement of the main melody was delivered with an even more intimate and sensual piano. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Audience. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. The answer was in this very guttural sound. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. S, la mia figlia! Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. Check out the latest photos and bios of the cast and filmmakers of The. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. This isnt all that dissimilar from the new Lucia di Lammermoor production that opened earlier this year; its more subtle, but the visual dissonance is very much the same. As Gilda, Rosa Feola had a solid night overall. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Jen has worked at KPBS since 2000. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. David holds a Masters in Media Management from Fordham University. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. . He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. Despite serious initial problems, the opera had a triumphant . During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. That said, this is a step up from the Las Vegas episode. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . Visit Website. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Additional details. Luiz Gazzola Opera Lively. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). NYT Critic's Pick. 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